Top tens are fun. Here's what I liked and hated from the literary world in this past year.
10. The Great Gatsby by F. Scott Fitzgerald
Obviously I'm not the first to appreciate this one. Does it deserve to be at the bottom of this list though? No, not really. There's no excuse for that but it's staying.
9. The Things They Carried by Tim O'Brien
Is it non-fiction or fiction? Who cares. This man is brilliant.
8. Moby Dick by Herman Melville
The White Whale! Amazing man book with tons of metaphors that I never got couched in its encyclopedia of all things whale hunting.
7. Disgrace by J.M. Coetzee
Man must act on principle instead of on impulse. But has South Africa come to this yet? Coetzee explores what makes man different from animal, aging, and the political climate of his homeland. See the movie too.
6. All Quiet on the Western Front by Erich Maria Remarque
Brilliant stuff, probably even better in its original language.
5. Franny and Zooey by J.D. Salinger
Plot-less but so good.
4. Raise High the Roof Beam, Carpenters by J.D. Salinger
I omitted Seymour's part of this book because I didn't want to penalize this story, maybe my Salinger favorite, from being included.
3. American Pastoral by Philip Roth
Maybe the best prose of all year. Effortless, smart and natural.
2. The Plot Against America by Philip Roth
Sorry, this was the best prose of all. This would have been number one but it gets distracted a little in the middle. Its retaining of number 2, though shows how strong the rest is. Give me more Roth!
1. All the Pretty Horses by Cormac McCarthy
This man leaves me speechless.
Best Short Story Collections:
1. Nine Stories by J.D. Salinger
2. Where I'm Calling From by Raymond Carver
3. In the Garden of the North American Martyrs by Tobias Wolff
Best Non-fiction:
1. A Million Miles in a Thousand Years by Don Miller
2. The Longest Trip Home by John Grogan
3. Superfreakonomics by Steven Levitt and Stephen Dubner
Dishonorable Mention:
Catch-22 by Joseph Heller
To Hate Like This is To Be Happy Forever by Will Blythe
The Brief Wondrous Life of Oscar Wao by Junot Diaz
Marry Me by John Updike
Thursday, December 31, 2009
Superfreakonomics by Steven Levitt and Stephen Dubner
A Million Miles in a Thousand Years by Don Miller
Rabbit Run by John Updike
Wednesday, December 2, 2009
The Wild Things by Dave Eggers
The Screwtape Letters by C.S. Lewis
This book is a collection of short letters written under the guise of a senior devil adviser to a young tempter who is trying to turn a man morally corrupt. Basically, Wormwood is the bad devil that resides above one of your shoulders and Screwtape is writing letters to him advising him on how best to conduct business. The book is brilliant in how it forces you to rethink what is actually wrong and how easy it is to fall into that. More important though, it reveals a lot about the theology and “the Enemy”. One of my favorite books.
Me Talk Pretty One Day by David Sedaris
When You are Engulfed in Flames by David Sedaris
The Discomfort Zone by Jonathan Franzen
I particularly like memoirs more than autobiographies because they usually only include the most compelling parts of one’s life rather than try to include every detail. Yet there is still usually a constant theme throughout, something cohesive that binds all the stories and achieves something more than just random events strung together. I don’t really remember that happening in this book. I remember him talking about his hot German teacher on one page and then his fixation with birds on the next. The writing is infinitely more readable, though, than it was in The Corrections because it came out smoother and more natural, which is a benefit of writing a memoir—you don’t have to try too hard. On the other hand, though, Franzen took too many liberties with this and, to me at least, the book came out as a half effort.
Tuesday, October 27, 2009
A Good Man is Hard to Find by Flannery O'Connor
Kurt Vonnegut once wrote a list of 8 rules for writing short stories. He ended the list by saying that Flannery O'Connor broke all of them except the first ("Use the time of a total stranger in such a way that he or she will not feel the time was wasted.").
He clearly meant this as a compliment, and he was right on. How she wrote the stories in this collection and made them as good as they are just doesn't add up. Another rule on Vonnegut's list is to "give the reader at least one character he or she can root for," and it is the one she most consistently breaks. The characters with whom one identifies (other than a child or two) are usually just the least despicable.
All the same, Vonnegut was right to say that she never breaks the first rule. Every story in this collection is stunning, haunting, and impossible to ignore. The title story might be one of my favorites ever. In fact, The River might be another.
One thing O'Connor does is introduce you to a character who is ruminating on his or her (usually her) annoyance with another character, suggesting to the reader that the object of the rumination likely has a deeper, more justified, and more profound resentment or even hatred for the one ruminating. This is an interesting motif, but it hardly accounts for the excellence of these stories in the face of such unlikable characters. But the excellence is undeniable.
So then: what is it that makes these stories so great? Honestly, I couldn't say.
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