I started the book last semester, but got caught up in schoolwork and never finished it... until now. It follows the life of an obese ghetto nerd who aspires to be the Dominican J.R.R. Tolkien. He writes all day and although he repulses almost any every girl, he is obsessed with finding love and a good lay. The book switches time periods a lot, trying to explain the curse of fuku on Oscar's family. It flashes back to the 80's and before, following the path of Oscar's mother, grandmother, and sister, and how they have all been haunted by a family curse. Díaz puts in a lot of history of the DR, almost to apprise ignorant Americans of the ruthless tyrant, Trujillo, who ruled the country for almost 2 decades.
I've read a couple short stories by Díaz, all good, but they've all had two main pieces: coarseness and Dominican-ness (if you read just one of his stories, you would know what I mean). This book follows in the same line. It seems very nationalistic, almost to the point where Díaz doesn't know how to tell a story that doesn't involve a Dominican character and Dominican culture. I may be totally missing the point, but Díaz comes across as overly proud of his heritage and things that belong to it.
As for the writing -- the dude can write. He doesn't follow conventional writing styles. His style in the book is actually kind of akin to The Road in the sense that it felt like a very literary gangster was telling the story to other gangsters. There was very little dialogue, which was never in quotations, and the story had a good roll to it. Sometimes, rarely, I would realize I had just read 20 pages without even realizing it. So the voice was good. Many kudos on that.
Bluntly, though, I felt like I was reading a history book (granted, one that took many liberties) rather than a work of literary fiction. It was a story, but just fact after fact. Character A did this, it resulted in this, and now he must do this. In addition, the footnotes were superfluous and I absolutely hated when Díaz would start an intriguing sentence in English and end it in Spanish.
Junot Díaz obviously has talent and I can see how this book, his first book, got favorable critical reception. I was mostly at odds with it though. I think I'll stick to his short stories, where, in my opinion, he thrives.